Showtimes

Michael Mann · 1986 · USA

Mann’s genre-defining serial-killer thriller returns in a stunning new restoration overseen by the filmmaker himself. A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a murderer and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). Adapted from the first of Thomas Harris’s Lecktor novels, MANHUNTER’s supporting cast includes Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen.

Assistive Listening, T-Coil

Mischa Richter · USA

SUMMER TOUR is a poetic documentary that follows Jerry and Annie, a magnetic young couple devoted to the music and community of Dead & Company, as they journey across America for the band’s final tour. Blending intimate portraiture with lyrical road imagery, the film captures the essence of the Deadhead experience: an unconventional family bound together by music, freedom, and the open road. At once a love story and a celebration of a uniquely American tradition of wandering, SUMMER TOUR reflects on what it means to seek belonging, adventure, and transcendence in a fleeting moment of cultural history.

Assistive Listening, T-Coil

DCP

Lorena Alvarado · Venezuela

After years spent abroad, Ena returns to Caracas where she finds her grandmother losing her memory and her father searching for rare Venezuelan books. She discovers a postcard in her father’s bookshop and sets off in search of a forgotten writer.

Assistive Listening, T-Coil

DCP

Carolina Cavalli · Italy

Cavalli’s new film reunites her with Amanda star Benedetta Pocaroli as Holly, who passes the days at her dead-end job fantasizing about holes in the space-time continuum and wondering where her life went wrong. When she meets Arabella, an eight-year-old rebel hoping to run away from her self-absorbed author father (Chris Pine), Holly becomes convinced their meeting is a cosmic sign, and that Arabella is, in fact, her past self sent back for a second chance. The two embark on an unconventional road trip between two lost souls who might be exactly what the other needs.

Assistive Listening, T-Coil

DCP

Lino Brocka · 1988 · Philippines

Upon losing a reliable American client, 18-year-old gigolo Pol (Allan Paule) leaves the provinces to try his luck in the soapy gay clubs of Metro Manila. Pol learns the ropes alongside fellow stripper Noel (Daniel Fernando) and savvy prostitute Bambi (Jaclyn Jose), discovering an underbelly of protection rackets, human trafficking and rampant political corruption.

Assistive Listening, T-Coil

David Alvarado · 2026 · USA

Groundbreaking Chicano activist/director Luis Valdez mounted agitprop performances on flatbed trucks in the 1960s with his El Teatro Campesino, mobilizing California farmworkers to secure their first union contract; authored Zoot Suit, the first Chicano play on Broadway, and directed the 1981 screen adaptation, starring Edward James Olmos; and wrote and directed the highest-grossing Hollywood Latino movie in history, the Ritchie Valens biopic, LA BAMBA. AMERICAN PACHUCO (Valdez defines pachucos as Mexican-American “street cats with style”) playfully tracks his extraordinary life and career, with rarely seen footage from his subversive theater and television work, and interviews with Valdez; actors Olmos (who narrates the film in his ZOOT SUIT pachuco voice), Lou Diamond Phillips, and Cheech Marin; labor activist Dolores Huerta; and Linda Ronstadt.

John Early · USA

In his directorial debut, comedian, writer, and actor John Early stars as a plucky dishwasher who leaps to viral superstardom at a trendy food content-creation company. Maddie seems to have everything—adoring husband (Eric Rahill), ride-or-die bestie (Kate Berlant) and a cupboard full of ethically-sourced chili crisp—but mounting pressures threaten to reawaken a hidden secret from her troubled past. A pitch-perfect blend of satire, melodrama, daring tonal shifts and intimate performances, MADDIE’S SECRET announces a bold new cinematic voice.

Assistive Listening, T-Coil, Closed Captioning

DCP

Luchino Visconti · 1957 · Italy

Based on the short story by Fyodor Dostoevsky In Italian with English subtitles “Visconti’s version of the Dostoevsky story—about the chance encounter of a couple as she is waiting in vain for her lover, and the obsessive, panic-stricken relationship which then develops between them—later filmed by Bresson as FOUR NIGHTS OF A DREAMER. Visconti traps his characters (three excellent performances) within a claustrophobic canal-side set, and the film is a series of brief walks, chases, attempted escapes, always frustrated. Shot as neo-realist high tragedy, the film offers its characters only one strange moment of escape from their night-time obsessions—a raucous, sexual, subversive scene in a dance-hall. Then the snow comes down, and with it a chilly desperation about the extent of human self-delusion.” – Time Out Restored by Luce Cinecittà, from the original 35mm negative A JANUS FILMS RELEASE

Hirokazu Kore-eda · Japan

Two years after losing their son Kakeru, Otone and her husband Kensuke take into their lives a humanoid from a company that rents humanoids to bereaved families as replacements for lost loved ones. The robot looks and behaves exactly like Kakeru, with Otone embracing its arrival as Kensuke struggles to accept it. Living with “him” seems to restore the flow of time within the family, yet gradually exposes the unspoken wounds and lingering regrets each parent carries after the loss. All the while, he begins to slip away to meet other humanoid children, unnoticed by the parents.

Assistive Listening, T-Coil

DCP

Carol Reed · 1949 · U.K./U.S.

Screenplay by Graham Greene Music by Anton Karas In rubble-strewn postwar Vienna, its occupation divided among four powers, Joseph Cotten’s pulp Western writer Holly Martins arrives to meet up with his old friend Harry Lime, only to find that he’s dead—or is he? And as the supremely naïve Cotten, a monoglot stranger in a strange land, descends through the levels of deception, and as he discovers his own friend’s corruption, the moral choices loom. A triumph of atmosphere—with its Vienna locations (including the gigantic Riesenrad ferris wheel and the dripping sewers), its tilted camera angles, its Robert Krasker-shot shadows, and Anton Karas’ unforgettable zither theme—and with its stars in perhaps their most iconic roles: bereted Trevor Howard at his most Britishly military; Alida Valli, here truly enigmatic and Garboesque; and Welles’ Harry Lime, arriving in one of the greatest star entrances ever, and adding the famous “cuckoo clock” speech to Greene’s original script, with the whole topped by its legendary, almost endlessly drawn-out finale shot. Winner of the Palme d’Or at the Cannes Film Festival and an Academy Award® for Best Cinematography, along with many other awards and nominations, THE THIRD MAN has appeared repeatedly on “Best of All-Time” lists of the past 75 years. A RIALTO PICTURES RELEASE

35MM

Stillz · Colombia, USA

Friday, July 10 at 7:15: Q&A with producers Esteban Zuluaga and Eric Kohn moderated by critic Siddhant Adlakha after the screening

Assistive Listening, T-Coil

DCP

Franco Rosso · 1979 · UK SEVENTY-SEVEN

“Brothers an sisters rocking / A dread beat pulsing fire...” opens Dread Beat an Blood, the 1975 poem—and album—by the Jamaican-born, British-based dub reggae artist and activist, Linton Kwesi Johnson. He created the genre of dub poetry—militant, passionate verse detailing the struggle for Black liberation in Britain, set to heavy rhythms. The 1979 documentary portrait, DREAD BEAT AN BLOOD, directed by Franco Rosso (BABYLON), captures Johnson in the recording studio, performing live poetry, and protesting the wrongful imprisonment of Black Briton George Lindo. Beautifully restored by the British Film Institute, this is its U.S. theatrical premiere. PLUS Linton Kwesi Johnson In Concert The rarely-shown 1985 performance featuring Johnson with the Dennis Bovell Dub Band (the backing group on his seminal 1984 album, Making History), filmed for Channel 4 in the UK.

Michael Mann · 1986 · USA

Mann’s genre-defining serial-killer thriller returns in a stunning new restoration overseen by the filmmaker himself. A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a murderer and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). Adapted from the first of Thomas Harris’s Lecktor novels, MANHUNTER’s supporting cast includes Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen.

Assistive Listening, T-Coil

Rosa von Praunheim · 1979 · West Germany

Both a loving portrait of a larger-than-life personality and a vivid record of New York’s 1970s downtown demimonde, this captivating documentary follows Tally Brown—cabaret chanteuse, underground film star, and a staple of Andy Warhol’s Factory—as she takes filmmaker Rosa von Praunheim on a tour through the grit and glamour of the city that made her. Capturing Brown’s mesmerizing performances (including her breathtaking bilingual cover of David Bowie’s “Heroes”) as well as her social world among fellow queer cult icons like Holly Woodlawn, Divine, and Taylor Mead, TALLY BROWN, NEW YORK is an essential snapshot of a scene that has passed into legend.

Assistive Listening, T-Coil

DCP

Luchino Visconti · 1957 · Italy

Based on the short story by Fyodor Dostoevsky In Italian with English subtitles “Visconti’s version of the Dostoevsky story—about the chance encounter of a couple as she is waiting in vain for her lover, and the obsessive, panic-stricken relationship which then develops between them—later filmed by Bresson as FOUR NIGHTS OF A DREAMER. Visconti traps his characters (three excellent performances) within a claustrophobic canal-side set, and the film is a series of brief walks, chases, attempted escapes, always frustrated. Shot as neo-realist high tragedy, the film offers its characters only one strange moment of escape from their night-time obsessions—a raucous, sexual, subversive scene in a dance-hall. Then the snow comes down, and with it a chilly desperation about the extent of human self-delusion.” – Time Out Restored by Luce Cinecittà, from the original 35mm negative A JANUS FILMS RELEASE

Lorena Alvarado · Venezuela

After years spent abroad, Ena returns to Caracas where she finds her grandmother losing her memory and her father searching for rare Venezuelan books. She discovers a postcard in her father’s bookshop and sets off in search of a forgotten writer.

Assistive Listening, T-Coil

DCP

Franco Rosso · 1979 · UK SEVENTY-SEVEN

“Brothers an sisters rocking / A dread beat pulsing fire...” opens Dread Beat an Blood, the 1975 poem—and album—by the Jamaican-born, British-based dub reggae artist and activist, Linton Kwesi Johnson. He created the genre of dub poetry—militant, passionate verse detailing the struggle for Black liberation in Britain, set to heavy rhythms. The 1979 documentary portrait, DREAD BEAT AN BLOOD, directed by Franco Rosso (BABYLON), captures Johnson in the recording studio, performing live poetry, and protesting the wrongful imprisonment of Black Briton George Lindo. Beautifully restored by the British Film Institute, this is its U.S. theatrical premiere. PLUS Linton Kwesi Johnson In Concert The rarely-shown 1985 performance featuring Johnson with the Dennis Bovell Dub Band (the backing group on his seminal 1984 album, Making History), filmed for Channel 4 in the UK.

Sasha Waters · USA

If poetry had a pop icon, Mary Oliver would be it. Celebrated bestseller, Pulitzer Prize winner, lover of dogs and long walks in the woods, openly queer but intensely private, Oliver was America’s unlikely contemporary mystic, stalking the ponds and forests of Cape Cod for nearly 50 years in order to open herself – and her readers – to the known and unknowable world. From a lonely childhood to literary fame, Oliver’s life was shaped by devotion to nature, paying attention, and the long journey toward learning to love and to be loved. Her poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites, speaking directly to contemporary anxieties about attention, presence, and the human relationship with the natural world – issues that feel especially pressing in an era of climate crisis, digital distraction, and social fragmentation.

Assistive Listening, T-Coil

DCP

Hirokazu Kore-eda · Japan

Two years after losing their son Kakeru, Otone and her husband Kensuke take into their lives a humanoid from a company that rents humanoids to bereaved families as replacements for lost loved ones. The robot looks and behaves exactly like Kakeru, with Otone embracing its arrival as Kensuke struggles to accept it. Living with “him” seems to restore the flow of time within the family, yet gradually exposes the unspoken wounds and lingering regrets each parent carries after the loss. All the while, he begins to slip away to meet other humanoid children, unnoticed by the parents.

Assistive Listening, T-Coil

DCP

Michael Mann · 1986 · USA

Mann’s genre-defining serial-killer thriller returns in a stunning new restoration overseen by the filmmaker himself. A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a murderer and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). Adapted from the first of Thomas Harris’s Lecktor novels, MANHUNTER’s supporting cast includes Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen.

Assistive Listening, T-Coil

Carolina Cavalli · Italy

Cavalli’s new film reunites her with Amanda star Benedetta Pocaroli as Holly, who passes the days at her dead-end job fantasizing about holes in the space-time continuum and wondering where her life went wrong. When she meets Arabella, an eight-year-old rebel hoping to run away from her self-absorbed author father (Chris Pine), Holly becomes convinced their meeting is a cosmic sign, and that Arabella is, in fact, her past self sent back for a second chance. The two embark on an unconventional road trip between two lost souls who might be exactly what the other needs.

Assistive Listening, T-Coil

DCP

John Early · USA

In his directorial debut, comedian, writer, and actor John Early stars as a plucky dishwasher who leaps to viral superstardom at a trendy food content-creation company. Maddie seems to have everything—adoring husband (Eric Rahill), ride-or-die bestie (Kate Berlant) and a cupboard full of ethically-sourced chili crisp—but mounting pressures threaten to reawaken a hidden secret from her troubled past. A pitch-perfect blend of satire, melodrama, daring tonal shifts and intimate performances, MADDIE’S SECRET announces a bold new cinematic voice.

Assistive Listening, T-Coil, Closed Captioning

DCP

Franco Rosso · 1979 · UK SEVENTY-SEVEN

“Brothers an sisters rocking / A dread beat pulsing fire...” opens Dread Beat an Blood, the 1975 poem—and album—by the Jamaican-born, British-based dub reggae artist and activist, Linton Kwesi Johnson. He created the genre of dub poetry—militant, passionate verse detailing the struggle for Black liberation in Britain, set to heavy rhythms. The 1979 documentary portrait, DREAD BEAT AN BLOOD, directed by Franco Rosso (BABYLON), captures Johnson in the recording studio, performing live poetry, and protesting the wrongful imprisonment of Black Briton George Lindo. Beautifully restored by the British Film Institute, this is its U.S. theatrical premiere. PLUS Linton Kwesi Johnson In Concert The rarely-shown 1985 performance featuring Johnson with the Dennis Bovell Dub Band (the backing group on his seminal 1984 album, Making History), filmed for Channel 4 in the UK.

David Alvarado · 2026 · USA

Groundbreaking Chicano activist/director Luis Valdez mounted agitprop performances on flatbed trucks in the 1960s with his El Teatro Campesino, mobilizing California farmworkers to secure their first union contract; authored Zoot Suit, the first Chicano play on Broadway, and directed the 1981 screen adaptation, starring Edward James Olmos; and wrote and directed the highest-grossing Hollywood Latino movie in history, the Ritchie Valens biopic, LA BAMBA. AMERICAN PACHUCO (Valdez defines pachucos as Mexican-American “street cats with style”) playfully tracks his extraordinary life and career, with rarely seen footage from his subversive theater and television work, and interviews with Valdez; actors Olmos (who narrates the film in his ZOOT SUIT pachuco voice), Lou Diamond Phillips, and Cheech Marin; labor activist Dolores Huerta; and Linda Ronstadt.

Luchino Visconti · 1957 · Italy

Based on the short story by Fyodor Dostoevsky In Italian with English subtitles “Visconti’s version of the Dostoevsky story—about the chance encounter of a couple as she is waiting in vain for her lover, and the obsessive, panic-stricken relationship which then develops between them—later filmed by Bresson as FOUR NIGHTS OF A DREAMER. Visconti traps his characters (three excellent performances) within a claustrophobic canal-side set, and the film is a series of brief walks, chases, attempted escapes, always frustrated. Shot as neo-realist high tragedy, the film offers its characters only one strange moment of escape from their night-time obsessions—a raucous, sexual, subversive scene in a dance-hall. Then the snow comes down, and with it a chilly desperation about the extent of human self-delusion.” – Time Out Restored by Luce Cinecittà, from the original 35mm negative A JANUS FILMS RELEASE

Mark Jenkin · UK

30 years after vanishing at sea, the eponymous fishing vessel mysteriously reappears in the harbor of a seaside village. The astonished local citizens see its return as a sign, convinced the luck of their economically devastated community may turn, if only the ship sails again. Joining the crew are Nick (George MacKay), desperate to provide for his young family, and Liam (Callum Turner), a mysterious drifter eager to escape his past. When they return from their voyage, nothing is as they remember it. Shooting in supersaturated color on a 16mm Bolex and constructing all the sound in post, Mark Jenkin’s hallucinatory time-travel mystery further solidifies him as one of the most singular artists working in film today.

Assistive Listening, T-Coil, Closed Captioning

DCP

Franco Rosso · 1979 · UK SEVENTY-SEVEN

“Brothers an sisters rocking / A dread beat pulsing fire...” opens Dread Beat an Blood, the 1975 poem—and album—by the Jamaican-born, British-based dub reggae artist and activist, Linton Kwesi Johnson. He created the genre of dub poetry—militant, passionate verse detailing the struggle for Black liberation in Britain, set to heavy rhythms. The 1979 documentary portrait, DREAD BEAT AN BLOOD, directed by Franco Rosso (BABYLON), captures Johnson in the recording studio, performing live poetry, and protesting the wrongful imprisonment of Black Briton George Lindo. Beautifully restored by the British Film Institute, this is its U.S. theatrical premiere. PLUS Linton Kwesi Johnson In Concert The rarely-shown 1985 performance featuring Johnson with the Dennis Bovell Dub Band (the backing group on his seminal 1984 album, Making History), filmed for Channel 4 in the UK.

Hirokazu Kore-eda · Japan

Two years after losing their son Kakeru, Otone and her husband Kensuke take into their lives a humanoid from a company that rents humanoids to bereaved families as replacements for lost loved ones. The robot looks and behaves exactly like Kakeru, with Otone embracing its arrival as Kensuke struggles to accept it. Living with “him” seems to restore the flow of time within the family, yet gradually exposes the unspoken wounds and lingering regrets each parent carries after the loss. All the while, he begins to slip away to meet other humanoid children, unnoticed by the parents.

Assistive Listening, T-Coil

DCP

Ross McElwee · 1986 · U.S.

Armed with a 16mm camera and a grant to make a documentary about the lingering aftermath of William Tecumseh Sherman’s 1864 march to the sea, Ross McElwee gets sidetracked. After his girlfriend breaks up with him, Ross shifts his attention from the historical to the personal, to the battlefield of modern love, and embarks on a sociological chronicle that documents the courting rites and rituals of the New South. A generous and humanistic portrait of several remarkable women that Ross meets along the way, Sherman’s March sketches its characters with novelistic sensitivity: Pat, an aspiring actress with a yen for Burt Reynolds; Claudia, a roller-skating interior designer; Jackie, the activist whose anti-nuclear advocacy dovetails with Ross’s deepest fears; and above all, Charleen Swansea, Ross’s mentor and a one-woman Greek chorus of unsolicited romantic counsel. A landmark of first-person filmmaking that presaged everything from Michael Moore to reality TV. A Little Field Films Restoration with support from Cinema Conservancy, Harvard Film Archive, and The Library of Congress. Restoration Produced by Mark Meatto. Restoration Supervised by Ross McElwee. A MUSIC BOX FILMS RELEASE Open Caption (OC) Screenings Tuesday, July 21, 7:00 show Saturday, July 25, 3:20 show Sunday, July 26, 3:20 show Monday, July 27, 6:40 show Tuesday, July 28, 3:20 show

David Alvarado · 2026 · USA

Groundbreaking Chicano activist/director Luis Valdez mounted agitprop performances on flatbed trucks in the 1960s with his El Teatro Campesino, mobilizing California farmworkers to secure their first union contract; authored Zoot Suit, the first Chicano play on Broadway, and directed the 1981 screen adaptation, starring Edward James Olmos; and wrote and directed the highest-grossing Hollywood Latino movie in history, the Ritchie Valens biopic, LA BAMBA. AMERICAN PACHUCO (Valdez defines pachucos as Mexican-American “street cats with style”) playfully tracks his extraordinary life and career, with rarely seen footage from his subversive theater and television work, and interviews with Valdez; actors Olmos (who narrates the film in his ZOOT SUIT pachuco voice), Lou Diamond Phillips, and Cheech Marin; labor activist Dolores Huerta; and Linda Ronstadt.

Michael Mann · 1986 · USA

Mann’s genre-defining serial-killer thriller returns in a stunning new restoration overseen by the filmmaker himself. A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a murderer and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). Adapted from the first of Thomas Harris’s Lecktor novels, MANHUNTER’s supporting cast includes Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen.

Assistive Listening, T-Coil

Luchino Visconti · 1957 · Italy

Based on the short story by Fyodor Dostoevsky In Italian with English subtitles “Visconti’s version of the Dostoevsky story—about the chance encounter of a couple as she is waiting in vain for her lover, and the obsessive, panic-stricken relationship which then develops between them—later filmed by Bresson as FOUR NIGHTS OF A DREAMER. Visconti traps his characters (three excellent performances) within a claustrophobic canal-side set, and the film is a series of brief walks, chases, attempted escapes, always frustrated. Shot as neo-realist high tragedy, the film offers its characters only one strange moment of escape from their night-time obsessions—a raucous, sexual, subversive scene in a dance-hall. Then the snow comes down, and with it a chilly desperation about the extent of human self-delusion.” – Time Out Restored by Luce Cinecittà, from the original 35mm negative A JANUS FILMS RELEASE

Lorena Alvarado · Venezuela

After years spent abroad, Ena returns to Caracas where she finds her grandmother losing her memory and her father searching for rare Venezuelan books. She discovers a postcard in her father’s bookshop and sets off in search of a forgotten writer.

Assistive Listening, T-Coil

DCP

John Early · USA

In his directorial debut, comedian, writer, and actor John Early stars as a plucky dishwasher who leaps to viral superstardom at a trendy food content-creation company. Maddie seems to have everything—adoring husband (Eric Rahill), ride-or-die bestie (Kate Berlant) and a cupboard full of ethically-sourced chili crisp—but mounting pressures threaten to reawaken a hidden secret from her troubled past. A pitch-perfect blend of satire, melodrama, daring tonal shifts and intimate performances, MADDIE’S SECRET announces a bold new cinematic voice.

Assistive Listening, T-Coil, Closed Captioning

DCP

Carolina Cavalli · Italy

Cavalli’s new film reunites her with Amanda star Benedetta Pocaroli as Holly, who passes the days at her dead-end job fantasizing about holes in the space-time continuum and wondering where her life went wrong. When she meets Arabella, an eight-year-old rebel hoping to run away from her self-absorbed author father (Chris Pine), Holly becomes convinced their meeting is a cosmic sign, and that Arabella is, in fact, her past self sent back for a second chance. The two embark on an unconventional road trip between two lost souls who might be exactly what the other needs.

Assistive Listening, T-Coil

DCP

Franco Rosso · 1979 · UK SEVENTY-SEVEN

“Brothers an sisters rocking / A dread beat pulsing fire...” opens Dread Beat an Blood, the 1975 poem—and album—by the Jamaican-born, British-based dub reggae artist and activist, Linton Kwesi Johnson. He created the genre of dub poetry—militant, passionate verse detailing the struggle for Black liberation in Britain, set to heavy rhythms. The 1979 documentary portrait, DREAD BEAT AN BLOOD, directed by Franco Rosso (BABYLON), captures Johnson in the recording studio, performing live poetry, and protesting the wrongful imprisonment of Black Briton George Lindo. Beautifully restored by the British Film Institute, this is its U.S. theatrical premiere. PLUS Linton Kwesi Johnson In Concert The rarely-shown 1985 performance featuring Johnson with the Dennis Bovell Dub Band (the backing group on his seminal 1984 album, Making History), filmed for Channel 4 in the UK.

Sasha Waters · USA

If poetry had a pop icon, Mary Oliver would be it. Celebrated bestseller, Pulitzer Prize winner, lover of dogs and long walks in the woods, openly queer but intensely private, Oliver was America’s unlikely contemporary mystic, stalking the ponds and forests of Cape Cod for nearly 50 years in order to open herself – and her readers – to the known and unknowable world. From a lonely childhood to literary fame, Oliver’s life was shaped by devotion to nature, paying attention, and the long journey toward learning to love and to be loved. Her poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites, speaking directly to contemporary anxieties about attention, presence, and the human relationship with the natural world – issues that feel especially pressing in an era of climate crisis, digital distraction, and social fragmentation.

Assistive Listening, T-Coil

DCP

ROSS McELWEE · 2025 · USA MUSIC BOX FILMS

A lifetime of beautifully captured images of his family allows filmmaker Ross McElwee to craft a heartfelt love letter to his late son Adrian, who struggled with mental illness and addiction. With the premise of chronicling the process of turning his acclaimed 1986 documentary SHERMAN’S MARCH into a fictional movie, McElwee picks up the threads of all his previous films—family, love, death, legacy, time—to expertly weave a portrait that moves between reflection and revelation, exploring the tensions between commercial cinema and artistic integrity, and simultaneously creating and recording the bond between father and son. McElwee’s first film in 14 years, REMAKE “continues in the vein of the filmmaker’s best work, albeit with more emotional weight than ever before.” – Jordan Mintzer, The Hollywood Reporter Open Caption (OC) Screenings Monday, July 20, 8:00 show Tuesday, July 21, 12:30 show Saturday, July 25, 2:20 show Sunday, July 26, 2:20 show Monday, July 27, 2:20 show Tuesday, July 2, 8:50 show

Luchino Visconti · 1957 · Italy

Based on the short story by Fyodor Dostoevsky In Italian with English subtitles “Visconti’s version of the Dostoevsky story—about the chance encounter of a couple as she is waiting in vain for her lover, and the obsessive, panic-stricken relationship which then develops between them—later filmed by Bresson as FOUR NIGHTS OF A DREAMER. Visconti traps his characters (three excellent performances) within a claustrophobic canal-side set, and the film is a series of brief walks, chases, attempted escapes, always frustrated. Shot as neo-realist high tragedy, the film offers its characters only one strange moment of escape from their night-time obsessions—a raucous, sexual, subversive scene in a dance-hall. Then the snow comes down, and with it a chilly desperation about the extent of human self-delusion.” – Time Out Restored by Luce Cinecittà, from the original 35mm negative A JANUS FILMS RELEASE

John Early · USA

In his directorial debut, comedian, writer, and actor John Early stars as a plucky dishwasher who leaps to viral superstardom at a trendy food content-creation company. Maddie seems to have everything—adoring husband (Eric Rahill), ride-or-die bestie (Kate Berlant) and a cupboard full of ethically-sourced chili crisp—but mounting pressures threaten to reawaken a hidden secret from her troubled past. A pitch-perfect blend of satire, melodrama, daring tonal shifts and intimate performances, MADDIE’S SECRET announces a bold new cinematic voice.

Assistive Listening, T-Coil, Closed Captioning

DCP

Hirokazu Kore-eda · Japan

Two years after losing their son Kakeru, Otone and her husband Kensuke take into their lives a humanoid from a company that rents humanoids to bereaved families as replacements for lost loved ones. The robot looks and behaves exactly like Kakeru, with Otone embracing its arrival as Kensuke struggles to accept it. Living with “him” seems to restore the flow of time within the family, yet gradually exposes the unspoken wounds and lingering regrets each parent carries after the loss. All the while, he begins to slip away to meet other humanoid children, unnoticed by the parents.

Assistive Listening, T-Coil

DCP

Michael Mann · 1986 · USA

Mann’s genre-defining serial-killer thriller returns in a stunning new restoration overseen by the filmmaker himself. A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a murderer and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). Adapted from the first of Thomas Harris’s Lecktor novels, MANHUNTER’s supporting cast includes Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen.

Assistive Listening, T-Coil

Mischa Richter · USA

SUMMER TOUR is a poetic documentary that follows Jerry and Annie, a magnetic young couple devoted to the music and community of Dead & Company, as they journey across America for the band’s final tour. Blending intimate portraiture with lyrical road imagery, the film captures the essence of the Deadhead experience: an unconventional family bound together by music, freedom, and the open road. At once a love story and a celebration of a uniquely American tradition of wandering, SUMMER TOUR reflects on what it means to seek belonging, adventure, and transcendence in a fleeting moment of cultural history.

Assistive Listening, T-Coil

DCP