Film Forum

Carol Reed’s THE THIRD MAN

Carol Reed · 1949 · U.K./U.S. · 104 min

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Screenplay by Graham Greene Music by Anton Karas In rubble-strewn postwar Vienna, its occupation divided among four powers, Joseph Cotten’s pulp Western writer Holly Martins arrives to meet up with his old friend Harry Lime, only to find that he’s dead—or is he? And as the supremely naïve Cotten, a monoglot stranger in a strange land, descends through the levels of deception, and as he discovers his own friend’s corruption, the moral choices loom. A triumph of atmosphere—with its Vienna locations (including the gigantic Riesenrad ferris wheel and the dripping sewers), its tilted camera angles, its Robert Krasker-shot shadows, and Anton Karas’ unforgettable zither theme—and with its stars in perhaps their most iconic roles: bereted Trevor Howard at his most Britishly military; Alida Valli, here truly enigmatic and Garboesque; and Welles’ Harry Lime, arriving in one of the greatest star entrances ever, and adding the famous “cuckoo clock” speech to Greene’s original script, with the whole topped by its legendary, almost endlessly drawn-out finale shot. Winner of the Palme d’Or at the Cannes Film Festival and an Academy Award® for Best Cinematography, along with many other awards and nominations, THE THIRD MAN has appeared repeatedly on “Best of All-Time” lists of the past 75 years. A RIALTO PICTURES RELEASE